selected bibliography

Akademie der Kunst, minimal - concept Zeichenhafte Sprachen im Raum, Verlag der Kunst, Berlin, 2001
Jill Baroff, Appearances, Number 23, 1995, cover and pp. 55-57, (illus)
Jacques Béal, Un mécene new-yorkais, Le Courrier Picard, May 23,1999
Judith Benhamou-Huet, Kramarsky, le minimalisme en 2000 leçons, l'oeil N°506, May, 1999, (illus.)
Paul Blanchard, Letter 'S' Road: Re-marks on site, tema celeste, Autumn, 1992, p. 95
Susan Boulanger, Infinite Possibilities: Serial Imagery in Twentieth-Century Drawings at the Davis Museum,
Art on Paper, November/December, 2004, p.84
D'Souza, Aruna and Tom McDonough, AD INFINITUM An Aesthetics of Dispersal: Succession and Seriality, 2002
D.L. Bouyer, Le Langage du Dessin, sans titre N°47, September, 1999
Hiltrud Ebert, Schöne tote Sprache, Freitag 12, December, 1999
Goings on About Town, The New Yorker, August 3, 1992
Bridget Goodbody, A Conversation on Collecting, Art on Paper, November/December, 2004, pp.42-43.
Hatchadoorian, Lisa, Color Lines, Islip Art Museum, 2003
Helfenstein, Josef and Jonathan Fineberg, Drawings of Choice from a New York Collection,
Kannert Art Museum, University of Illinois, 2002
Helen Harrison, Color Lines, The New York Times, March 7, 2004
Faye Hirsch, Not Walls..., Arts Magazine, March, 1992, p. 64 (illus.)
Faye Hirsch, Jill Baroff, Art in America, November, 1994, p.132, (illus.)
Faye Hirsch, Jill Baroff, Art in America, December, 2002
Kyoko Ibe, Contemporary Papermaking, Japan, 2000.
Chavez, Anja, et al editors, Infinite Possibilities, Serial Imagery in 20th-Century Drawings,
Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, 2004
The Invisible Thread: Buddhist Spirit in Contemporary Art,
Newhouse Center for Contemporary Art, New York, 2004
Ken Johnson, Art Guide, The New York Times, March 13, 1998
Marilyn S. Kushner, Digital Printmaking Now, Brooklyn Museum of Art, 2001
Janet Kutner, Collector Drawn to Emerging Artists, The Dallas Morning News, February 27, 2000
Kevin Lynch, 'Minimal Art Now' opens at Elvehjem, Madison.com, February 4, 2005
Suzanne McClelland, Bomb Magazine, Spring, 1995, pp. 52-53, (illus.)
Franz Müller, Von Pappe, Schådelspalter, April, 1997
Meg O'Rourke, Behind Bars, Thread Waxing Space, 1992, Exhibition Catalogue
Barbara Pollack, Getting a Bang for your Buck, Art News, Summer, 1998. p. 144
Barry Schwabsky, The Narrow Way, catalogue essay for Jill Baroff, 1995
Barry Schwabsky, Jill Baroff, Artforum, Summer, 1994, p. 93, (illus.)
Barry Schwabsky, Naturalism Anti-Natural, Flash Art, Jan/Feb, 1988, pp. 102-104, (illus.)
Dieter Schwarz, Drawing is another kind of language, Harvard University Art
Museums/Daco-Verlag, December 1997, p.36, p.37 (illus.), p.38, p.39 (illus.)
Andrea Scott, An Eloquent Silence, Tema Celeste, Autumn, 1992, pp. 80-83
Roberta Smith, Drawing from Life, The New York Times, February 7, 1997
Thiessen-Schneider, Gudrun, 10 Jahre, Kunstverein Grafschaft Bentheim, 2003
Philip Van Keuren, On Drawing: a conversation with Werner Kramarsky, Connie Butler,
and Harry Cooper, Pollock Gallery, Meadows School of the Arts, Southern Methodist University, 2000
Virginia Wageman, Language of drawing speaks of minimalism, Island News (Hawaii), 2001
Judy Von Wagner, Jill Baroff, Arts Magazine, September, 1989, p. 75, (illus.)
Waltemath, Joan, Jill Baroff, Second Nature, The Brooklyn Rail, April 2004
Lilly Wei, Goose Skin and Chicken Child, catalogue essay for Jill Baroff: Stacked Drawings, 2000
Working Proof, On Paper, November/December, 2001
Ludwig Zerull, A Cardboard Sea of Light, review, Hannover, Germany, 1997